Azurka
2003 · Abeat Records (ABJZ 022) · CD Album · Italy
Lydian Sound Orchestra, Claudio Fasoli
Tracklist
- Flight4:06
- Self Portrait3:34
- 201218:10
- Invisible Sound3:20
- Icon6:26
- Questions5:28
- Rit7:55
- Azurka5:40
- Résumé4:34
- Pipe3:14
- Flight3:33
Personnel & credits
- Riccardo BrazzaleArranged By, Conductor [Conducted By]
- Mario CacciaExecutive-Producer
- Bruno GrottoLiner Notes [Italian]
- Loretta SimoniLiner Notes [Translation (English)]
- Aldo BorrelliMastered By
- Angelo GiordanoMastered By
- Angelo GiordanoMixed By
- Emilio GiorioMixed By
- Massimo LombardiMixed By
- Riccardo Luppi (2)Mixed By
- Claudio FasoliMusic By
- ColorfotoPhotography By [Photos]
- Francesco Dalla PozzaPhotography By [Photos]
- Angelo GiordanoPost Production [Finalized By]
- Riccardo BrazzaleProducer [Produced By]
- Angelo GiordanoRecorded By
- Emilio GiorioRecorded By
- Massimo LombardiRecorded By
- Riccardo Luppi (2)Recorded By
- Santino CrivellettoRecorded By
- Fausto TapergiText By [Quote In Booklet (Italian)]
About this record
Press
“trova in questa raccolta un sapore per nulla commemorativo”Jazzitalia (Francesco Peluso, MMS) ↗
“from contrapuntal and harmonic complexities to funny quotations from Davis and Coltrane”Abeat Records (label text) ↗
Reception
Azurka (Abeat ABJZ 022, 2003) is a retrospective of the long collaboration between saxophonist/composer Claudio Fasoli and arranger-conductor Riccardo Brazzale with his Lydian Sound Orchestra. CONTEXT: a compilation drawn from four sessions across 1986-2003, not a single date; all music by Fasoli (Pipe co-written by Brazzale), arranged/conducted by Brazzale; Abeat ABJZ 022, distributed by IRD. Michael Gassmann plays trumpet/flugelhorn only on the 8 January 2000 Tala Studio, Milano session, alongside Mauro Negri, Moreno Castagna, Rudi Migliardi and Alberto Tacchini; Kyle Gregory and Paolo Birro feature on the 10 January 2003 Vicenza live tracks; Marco Tamburini on a 1995 track. The orchestra was founded by Brazzale c.1989 near Vicenza. RECEPTION: essentially confined to Italian jazz press and label/orchestra notes. The one substantive review located, by Francesco Peluso for MMS (carried on Jazzitalia, 2005), is strongly positive: it reads the album not as commemorative but as a wide reflection on the two artists' shared path, praising Brazzale's arranging and the mix of contrapuntal-harmonic complexity with Davis, Coltrane and Shorter references in asymmetric forms, calling it the best of their orchestral output; the Abeat label and the orchestra's site echo this, noting colorful orchestration, Davis/Coltrane quotations, Evans-like sonorities, Shorter modal playing and a 19th-century pipe organ. RECOGNITION: no album-specific awards or festival/academic notice; the orchestra's Musica Jazz Top Ten poll placements are documented only from 2006 onward (after this release). GAPS: no Anglophone/Swiss/German reviews found (AllMusic, All About Jazz, JazzTimes, Down Beat, jazz'n'more, jazzthing, Concerto); AllMusic/AllAboutJazz/Discogs unconfirmed (often block bots); Jazzitalia page now 404s, text recovered via Wayback Machine snapshot 2023-11-29; no press assesses Gassmann's playing specifically.</receptionSummary> </invoke>
Recognition
No album-specific awards; see gaps and receptionSummary.
Background
short buffer; full detail in receptionSummary